Filtering by Category: sculpture

mount

Added on by Jourdan.

There's something odd about this one...  but in a good way (I think). The pink part was just a piece I chopped off of another sculpture - I literally just hung it on the wall as is and stuffed some hair behind it... it's like a weird head/face/bust - kind of like a deer head mount or something of that sort. It watches me when I'm working at my desk!


Call Collect

Added on by Jourdan.
Squirkle - 2012 - pvc, fiberglass insulation, cast & pigmented water putty, hot glue, animal hair, and hog intestines
This little guy is on view at Hamiltonian Gallery as part of their annual benefit exhibition, Call Collect. Myself and about 100 other local artists were invited to donate small works for the cause. See the online catalogue HERE! There will be a closing reception on Friday, November 9th, from 7-9pm...



dorothea tanning

Added on by Jourdan.

I just encountered Dorothea Tanning's soft sculptures in a book I checked out from the library called Surreal Objects. I've been thinking a LOT about surreal objects lately and how my newer assemblage works might somehow fit into that lineage... but more on that later. Dorothea Tanning just recently died earlier this year at the age of 101. She's probably best known for her work as a painter and as the wife of famed surrealist Max Ernst. When I hear the name Dorothea Tanning, this is typically what comes to mind...

Though her paintings are quite incredible - I also really really enjoy her sculptures! Check out her website for LOTS of images and descriptions of works... it's a really great resource.




the world as sculpture

Added on by Jourdan.

I came across this book this weekend in Philadelphia's Free Library... and it so so SO very good! I spent hours poring over a chapter called The Education of the Sense: Child's Play - which talks about early Montessori schools and their emphasis on TOUCH - "The lost paradise of touch could be regained." I love this quote by Walter Benjamin...
Children are particularly fond of haunting any site where things are being visibly worked upon... In using these things they do not so much imitate the works of adults as bring together, in the artifact produced in play, materials of widely differing kinds in a new intuitive relationship. Children thus produce their own small world of things within a greater one.                                                                                    
                                                                                                          Walter Benjamin
This reminds me VERY MUCH of some of the things Nikolas Berdyev has to say about "man as microcosm" in his book, The Meaning of the Creative Act.

The next chapter, which I didn't get to finish (the library was closing, and I don't live in PA so I couldn't take it with me) is called HOLLOWS AND BUMPS IN SPACE! This is thesis  material, no doubt - right up my alley. Hall suggests that while the Neo-Classicists were obsessed with surfaces, the Modernists have been obsessed with orifices.

I love holes... they're a means of escape or access. They're sexual. Holes are really interesting because they're not there. I like the joke about the guy who dug the holes out of the ground and put them on a truck.                    
                                                                                                                      Damien Hirst

Thinking about holes in this way is also making me think about CONTRANYMS - words with 2 definitions that are opposites of eachother... ex. CLEAVE - means both to bring together AND to divide... hmmmm

The first hole made through a piece of stone is a revelation. The hole connects one side to the other, making it immediately more three-dimensional. A hole can itself have as much shape-meaning as solid mass... The mystery of the hole - the mysterious fascination of caves in hillsides and cliffs.
                                                                                                                      Henry Moore

This has me thinking a lot about POSITIVE and NEGATIVE space...

studio/laboratory

Added on by Jourdan.
Today was a great day in the studio. Uninterrupted play. The best kind of work, right?
sponge, pvc, condoms, and wasabi peas

hair, pvc, fiberglass insulation, hog intestines, cast & tinted water putty, and hot glue




This guy is getting re-vamped... it's only the beginning!

squirk

Added on by Jourdan.

I've had assemblage on the brain lately. These little guys are my quirky attempt. I'm still not really sure how I feel about them yet, but I think they might be headed somewhere...

fiberglass insulation, polyurethane, balloon, great stuff, cast plaster, and rubber bands

fiberglass insulation, polyurethane, balloon, hot glue, and rubber band

cast aluminum, fiberglass insulation, polyurethane,balloon, and hog intestines

fiberglass insulation, polyurethane, cast plaster, and rubber band
hot glue, paper, cast water putty, and rubber bands

fiberglass insulation, hog intestines, zip ties, cast plaster, and hot glue



sarah lucas

Added on by Jourdan.
Sarah Lucas
There's a blue porcelain toilet sitting on the side of the road... I keep passing it on my commute to/from school. I have an odd urge to use it for a sculpture... but it will probably be gone by the time I figure out something to do with it.



VSC open studios

Added on by Jourdan.
Double Dose - 6' x 3' x 3' - cardboard, fiberglass insulation, & pig intestines
A lot has happened in the studio since I last posted. Last night was the final open studios for the July residents here at the Vermont Studio Center. I finally finished covering this big guy with pig intestines - and boy oh boy does my studio smell RANK. blegh!! All in all though, I'm really excited about the direction my work is starting to take - I'm very much looking forward to getting back to my studio at school and cranking up the semester. I think my work is starting to become more cohesive- but not in a limiting way. The collages are helping me to more quickly work out some conceptual ideas and, as you can probably see, the forms from the collages are starting to influence my sculpture! So fun!

Filets - 9" x 12" each - collage on paper


Glory Hole - 2' x 2' - animal hair, condoms, fiberglass insulation, rubber bands, & plaster cast of my belly button

3' x 2.5' x 2' - cardboard, fiberglass insulation, pig intestines, & animal hair



franz west: hello & goodbye

Added on by Jourdan.

I've somehow been missing the incredible sculptures of Franz West - where have I been?? Someone mentioned his work the other day, in response to the piece I'm working on (and I can certainly see why) - and I didn't think to look him up until just now. And in doing so, I discovered that he died... yesterday. Darn. Well, I love his sculptures... I must learn more about this guy!


the spider, the mistress, and the tangerine

Added on by Jourdan.

 Louise Bourgeois has been on mind a lot lately. Some of the things I'm working on right now are unmistakeably derived from her work (even if unconsciously so). I saw a large installation of her work this winter at DIA Beacon and was blown away. I was literally crawling on the floor to see things from every possible angle. Wow - what a sculptor! It's not easy to find images online that even come close to doing her work justice, but here are a few that I've been looking at...

 
Yesterday I watched a really nice documentary on Louise Bourgeois called The Spider, the Mistress and the Tangerine. I highly recommend it!

While I was at Elsewhere, I had a Louise Bourgeois moment (hehe). Maybe one day I might come close to being as cool as she is?


hannah wilke

Added on by Jourdan.
ceramic
Hannah Wilke came up in my crit with Frances Barth this morning. I'm familiar with her later work (the documentation of her body's demise), but not so much with her more formal sculpture. I like very much! must learn more...
artist's hair on paper

tower/plug

Added on by Jourdan.

I've completed my most recent endeavor - a tower of sorts. Earlier this semester, I built a similar sculpture that resulted in a charred studio and headaches for all. After much hesitation, I decided to re-build the piece (though it turned out quite different). This time I built a sturdier inner armature of steel (last time I used cardboard boxes) and eliminated the oil-based polyurethane thought to be the main culprit of the flash fire. This one is a real mash-up of textures and materials. Can you guess what all I used? 

Though it started out as more of a formal/material process driven piece, this sculpture has come to embody a lot of the concepts that have been driving my studio practice over the past few months. I've been reading some stuff by Sigmund Freud, Jacques Lacan, and Georges Battaille - all dealing with kind of kooky psycho-sexual subject matter that could also potentially be read into my work. In this piece, there's definitely an aspect of desire... Rococo in style, cake-like in form - but the allusions to the body/flesh make it equally as yucky (pussy, oozy, etc.). So it exists somewhere in between. Desire and disgust. What interests me most is how these two distinctions don't/can't exist on their own. There's often something kind of disgusting about desire, right? Eating a cake this big would make anyone throw up on the spot. And vice versa... like squeezing a ripe and ready blemish... how something that's extremely disgusting by nature somehow elicits such an odd sense of satisfaction.

Another idea I'm thinking about in this piece is Lacan's theory of "lack" (or "manque" in French), which suggests that desire always arises out of lack.  I've not studied this material in depth, but I like where it is heading and think it's quite relevant in respect to my current body work. There are other things I could try to explain, but I think I'll stop stop here.





Materials include fiberglass insulation (pink and yellow), urethane spray foam ("great stuff"), balloons (white, clear, and pink), hot glue (of varying tones), caulk (of varying tones and textures), landscaping fabric, joint compound, string, water putty, silly string, and more!

This sculpture will spend the summer at Montpelier Art Center for their 31st Annual Invitational Sculpture Exhibition! The show opens on June 7th and will be up through mid-August. 

phoebe washburn

Added on by Jourdan.
It Makes For My Billionaire Status, 2005
Installation view, Kantor/Feuer Gallery
Los Angeles, CA
 After getting some guff about all my flammable materials and their "home depot recognizability" I've been brainstorming about some new things I might possibly like to use... and what that might look like. Pheobe Washburn comes to mind as someone who really has a way with mixing and mashing up a variety of things to make some super nice installations. I'm a fan.
Compeshitstem, 2009
Installation view, kestnergesellschaft
Hannover, Germany

Poor Man's Lobster, 2005
Installation view, Sculpture Center
Long Island City, NY