Filtering by Category: pink

PINK: the exposed color of contemporary art & culture

Added on by Jourdan.
I was very excited to finally receive this book in the mail a few days back. I've been thinking a lot about the color pink and its uses in my own work, so I was thrilled to find this book on the subject. This thick pink velvety book is made up primarily of images of, what else... pink art. I was a little underwhelmed by the small amount of writing found inside which consisted of a few essays, some better than others. The over-arching theme is that of the color pink's various contradictions. Barbara Nemitz pretty much sums this idea up in her introductory paragraph saying...

"The qualities we associate with the pastel color pink are quite diverse. They range from sensitive, tender, youthful, artificial or unreal to eccentric, vulnerable, and pleasurable. The color is at home in both "high" and "low" culture... What is unique about pink is that it is assertive in whatever context it appears."

She goes on to discuss the color's rare significance in nature and its ever-presence in and on our physical bodies, which are composed of all things pink. She also discusses the ephemerality of the color. "Pink is fleeting," she says, referring not only to the short life-span of blossoms on plants, but also more visceral things, like the blush of our cheeks.

In my work I've been thinking a lot about the color pink and it's significance in relation to my concepts. I like to think the the color's contradictory nature contributes to what I'm doing in my work. I like to create biomorphic forms that appear to be from nature, but constuct them in a way that is highly fabricated and man-made. This idea is furthered by the materials I choose, which tend to be synthetic and manufactured, yet somehow evoking the natural environment.

Enough about me. Here are some of my favorite images from the book...






tim hawkinson

Added on by Jourdan.
I totally freaked out the other day when I stumbled upon these images in my own computer files. Apparently I found them, loved them, saved them, and forgot about them, and am just now rediscovering them. While I was working on the sculpture in the image below, I kept thinking that I had seen something like it before... but I just couldn't put my finder on it. I kept thinking Philip Guston, but no, that wasn't quite it.

detail of Objectified

It was Tim Hawkinson! Whoa... I just love these drawings of his! When I think of him, I often think of the Art:21 about him, which mainly focuses on his Uberorgan, a massive plastic pipe organ installation that he did for the Whitney Biennial. Though he works with a vast variety of materials on varying scales, most of Hawkinson's work seems to grab me in this way. Whether he's making miniature toenail sculptures (seen below) or massive noise-making balloons, his work all seems to relate back to the body in some way, taking the ordinary to new and unexpected realms.

cookie carnival

Added on by Jourdan.
This adorable vintage Disney cartoon came on yesterday while I was babysitting and I was completely mesmerized. The entire aesthetic appealed to me, with the luscious pastels, and the mouthwatering sweets. And I love the attention to detail... the integration of sound, movement, color, etc. Can't wait to watch more of these old-timey cartoons!

fluffy pink stuff

Added on by Jourdan.
Lately I've been terribly taken by the luscious materiality of pink fiberglass insulation. I've incorporated its use in a number of sculptures to date and continue to explore its widespread potential. It's surprisingly easy to work with... it's amazing what a little spray adhesive can do. Although, I try only to work with it in small doses for fear of contracting some form of deadly lung disease. This stuff is pretty toxic... so I'm asking for a respirator this Christmas.

a detail shot of my most recent piece

my very first insulation installation

Though I've yet to find many other artists that are working with this material (I know you're out there somewhere!) I've been really drawn to these two shown below. The first, by Jennifer Rubell, is an interactive installation. A cotton candy padded cell that is designed to be devoured. And the second is a painting by Will Cotton, who is known for his delectable mouth-watering paintings of all things sweet.

Will Cotton

These two are using completely different materials than I, with, in a sense, a completely different aim, yet their works evoke a similar visceral response. If Cotton's painting represents an ideal, then Rubell's room must be the reality. Rather than look and drool at the painting, viewers are invited in, to touch, to taste, to get sticky and make a mess. If this is so, I'd say my work lies somewhere in between. It's enticing and corporeal. It often envelopes the viewer, as Rubell's, yet the toxicity of the material prohibits any tactile interaction, creating a distance not unlike that created by Will Cotton's painting.

this book should be mine